From Chapter 3:
It is uncertain when licences were first issued for the sale of tobacco. Probably they were issued in London some time before it was considered necessary to license dealers in other parts of the country. Among the Municipal Records of Exeter is the following note: "358. Whitehall, 31 August 1633. The Lords of the Council to the Chamber. 'Whereas his Ma^tie to prevent the excesse of the use of tobacco, and to set an order to those that regrate and sell or utter it by retayle, who observe noe reasonable rates or prizes [prices], nor take care that it be wholsome for men's bodyes that shall use it,' has caused letters to be sent to the chief Officers of Citties and towns requiring them to certify 'in what places it might be fitt to suffer ye retayleing of tobacco and how many be licenced in each of those places to use trade'; and the City of Exeter having made a return the Lords sent a list of those which are to be licensed, and order that no others be permitted to sell."

From Chapter 3:
Another proof of the extraordinary popularity of the new habit is to be found in the fact that by the seventeenth year of the reign of James I—the arch-enemy of tobacco—that is, by 1620, the Society of tobacco-pipe-makers had become so very numerous and considerable a body that they were incorporated by royal charter, and bore on their shield a tobacco plant in full blossom. The Society's motto was happily chosen—"Let brotherly love continue."

From Chapter 3:
Tobacco's a musician,
And in a pipe delighteth,
It descends in a close
Through the organ of the nose
With a relish that inviteth.

These are merely a few examples of both the praise and the abuse which were lavished upon tobacco at this early stage in the history of smoking. It would be easy to fill many pages with the like testimonials and denunciations, especially the latter, from writers of the early decades of the seventeenth century. Perhaps the most curious thing in connexion with the immense number of allusions to smoking in the literature of the period is that there is no mention whatever of tobacco or smoking in the plays of William Shakespeare. As Edmund Spenser, in the "Faerie Queene," speaks of

From Chapter 12:
At a few clubs there are still some curious and rather unmeaning restrictions. A particularly absurd rule that maintains its ground here and there, is that which forbids smoking in the library of a club. What more appropriate place could there be for the thoughtful consumption of tobacco than among the books? But after due allowance has been made for a few minor restrictions of this kind, the fact remains that smoking has triumphed socially all along the line in Clubland. We have travelled far from the days when a committee man could declare that "No Gentleman smoked," to the time when, for example, the large smoking-room at Brooks's is one of the finest rooms in one of the most famous and exclusive of clubs. This splendid room in the eighteenth-century days of gambling was the "Grand Subscription Room"—the gambling room of Georgian times. It still retains two of the old gaming tables. Now this magnificent apartment, with its splendid barrelled ceiling, which a well-known architectural writer, Mr. Stanley C. Ramsey, A.R.I.B.A., describes as "probably the finest room of its kind in London," is the temple of Saint Nicotine. The strangers' smoking-room in the same club, formerly the dining-room, is another beautiful and delightfully decorated apartment. Similar transformations have been witnessed in other clubs.